Hisense 55Q7S – QLED-Fernseher, 55 Zoll, 4K Ultra HD, 60 Hz
Hisense 55U7DS PRO – Mini-LED-Fernseher, 55 Zoll, 4K Ultra HD, 165 Hz
LG 55QNED72B6B – Mini-LED-Fernseher, 55 Zoll, 4K Ultra HD, 60 Hz
LG 55QNED93B6A – Mini-LED-Fernseher, 55 Zoll, 4K Ultra HD, 120 Hz
LG OLED55B68LA – OLED-Fernseher, 55 Zoll, 4K Ultra HD, 120 Hz
LG OLED55C67LA – OLED-Fernseher, 55 Zoll, 4K Ultra HD, 120 Hz
LG OLED55G66LS – OLED-Fernseher, 55 Zoll, 4K Ultra HD, 120 Hz
Philips 55PUS8550/12 – LED-Fernseher, 55 Zoll, 4K Ultra HD, 60 Hz
Philips Ambilight 55OLED761/12 – OLED-Fernseher, 55 Zoll, 4K Ultra HD, 120 Hz
Philips Ambilight 55OLED811/12 – OLED-Fernseher, 55 Zoll, 4K Ultra HD, 120 Hz
Samsung GMR55R85H Vision AI R85H – Fernseher, 55 Zoll, 4K Ultra HD, 144 Hz
Samsung GQ55LS03H – LED-Fernseher, 55 Zoll, 4K Ultra HD, 144 Hz
Samsung GQ55S90F – OLED-Fernseher, 55 Zoll, 4K Ultra HD, 144 Hz
Samsung GU55M70H Vision AI M70H – Mini-LED-Fernseher, 55 Zoll, 4K Ultra HD, 60 Hz
Samsung GU55U8079F – LED-Fernseher, 55 Zoll, 4K Ultra HD, 60 Hz
Sony BRAVIA 3 II K-55XR35M2 – LED-Fernseher, 55 Zoll, 4K Ultra HD, 100 Hz
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.